| Short Stack with Switch Monkey 
I'm a free wheel.  Got no one telling me the can or can't do.So when this jeans-too-tight-to-breathe strolled into Miz
 Willie's Grill, I liked the cut of his kerchief right off.  Knew
 he knew things I wouldn't know in a lifetime:  how to bail
 it in, strut in company jewelry, and play the glory hunter.
 That's why I wanted him.  Him straddled out at counter's end,
 nursing a cup o' joe hotter than Yuma's breath, looking neither
 left nor right, just talking to Miz Willie who didn't look left
 nor right or give a damn about anything he said.  But I did.
 
 So I sidled up to the counter, took the stool two stools away
 and bought another cup while I listened to him blow smoke.
 Listened to his world of slow train, hotshot, piggy-back.  Heard
 how he'd catch out ahead of the bull, drug runners, and ramblers
 with romance on their minds, trying to follow him out past
 San Berdu, all the way to Baxter Springs.  Listened long enough
 to know he'd never tie on to a can or can't do or to me.  Finished
 my cup o' mud and lit out - full on a cheap pie card, a rail fan
 looking for a local load, all smiles from a stack of short love.
 
 
 
 The Unworshipped Woman 
Nothingbeat her
 
 break her down or            reek so
 the way she do
 
 nothing got her unzipped mind
 her fly-paper memory
 
 she a riverbed                   will be
 for a dog's millennium
 
 she gone lost
 to her un-borns          she pale smoke
 
 shadow                 in the distance
 
 she a train whistler's whistle
 this unworshipped     this     woman
 
 she come like salt lick     she go down
 like a drowning man hollering for one last last
 
 her story hung like seaweed
 
 she come in              she go out
 
 like unworshipped women            supposed to
 
 knees bloody
 knuckles got somebody's
 jawbone jammed on
 
 hair coiled with September twatterlight
 corkscrewed so tight even owls won't hoot
 
 until          she pass by them        longing, on long legs
 
 lips the color of peril
 
 bittersweet             folded round a hollow in her twisted back
 
 But                              her one good eye           it flash -
 
 
 
 Seed of Mango, Seed of Maize 
I saw one of the grandmothers only oncein a photograph.
 Short and sturdy she was, a black black Carib
 with a forehead wide as the sea
 that kisses Port Elizabeth
 and a nose broad as the nostrum of Admiralty Bay.
 Breathing deeply,
 her breath was fume of coconut and allspice,
 mango and frangipani,
 black bird and blue sky,
 was the isle of Bequia.
 She conjured a daughter,
 then jinxed another,
 and they bedeviled five daughters between them,
 and I am one of those flying fish.
 
 The other grandmother I composed from myth
 and half-told stories.
 She was a red-red Cheyenne -
 scorched earth,
 much chased -
 sported a thick reed of braid
 pulled off from her forehead,
 wide as Dakota
 before it was north and south.
 She hisses warnings across ten, then ten times
 ten more years to a son
 who reshapes them for me
 in my dreams, sometimes in my waking.
 As flute, blue maize, dance of the sun, she comes
 crow on the wing, singing up the ghosts,
 and I am one of those - a ghost, singing.
 
 
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